Q & A

Q: “How do you make these? Is that ‘real’ rust?”

RGB: Yes. It’s real rust.

I encourage it with all sorts of processes (scraping, scratching, grinding, etc.) as well as natural and artificial substances. For example, I might use muriatic acid on one area and then rub over that with a grapefruit (from the tree by my studio). This will encourage one type and/or color of rust. I also remove or reduce rust with everything from a grinder to a pencil eraser to electrical current. Whatever it takes, and usually over and over. Read more about the rust art process.

Q: “What kind of care do your Rust Art pieces require?”

RGB: The same as a nice oil painting.

Most of the images must be kept indoors in a relatively arid environment (i.e., not in your bathroom).  On some pieces, portions are “sealed” and other areas are left untreated. This encourages subtle changes over time and is part of the art.

Just like oil paintings, these should not be touched with bare hands. The sweat and the oil on your fingers is actually corrosive. If a piece is unsealed, touching it can change the rust that is already on the piece or start rust on any bare steel. When properly hung, these pieces are as rugged and long-lasting as an oil painting.

Q: “How long does it take to make one of your Rust Art pieces?”

RGB: I have created my own techniques for encouraging rust and I’m continuously researching and experimenting with ways to speed up and control corrosion and patination. Some of these techniques can produce changes right before your eyes.

Many pieces, however, take over a year to get the sort of rust that I like. I have several that I have been working on (and off) for over five years. One reason I enjoy rust art is that the rust itself is doing a huge part of the “work.” It’s a collaboration, a dance (and sometimes a fierce battle) with rust. 

Q: “Do you make pieces on commission?”

RGB: Yes. But, I’ve only done that once. I might do it again, but you have to be okay with the fact that rust does its own thing.

The majority of pieces start out with some intention and end up quite different because the rust, itself, makes demands. For example, I’m a Believer was a picture of a beautiful woman, but as it rusted, it turned into something very different. It’s beautiful in its own way, but if it was a commissioned portrait, you might not be happy.

Other questions? Email me and I will post answers here.